Interwoven Connections showcases the work of Jacqueline Buttice, Heather Jones, Mary Corey March, and Dara Rosenwasser, four artists using fiber to explore high-tech communication, the chemistry of bonding, memory, and connections past and present.

Almost Home: Community and Collaboration at Creative Growth represents another facet of the close collaboration between MA students at SFAI and the Creative Growth Art Center in Oakland, CA.

Curated by Monica Vazquez and featuring the work of Monika Łukowska and Maya Smir, "Untenable Dynamism explores the urban area as juxtapositions of people, mass, and industry.

As part of a collaborative thesis class taught by Betti-Sue Hertz (and organized by seven graduating masters students), the Museum of Exhibition History presents its inaugural exhibition, "Everything Out There: Bay Area’s First Triennial Now", a re-exhibition of the first Bay Area Now.

Tony Maridakis, Julie Sadowski, and Ouater Sand each present a solo show.

Benjamin Ashlock, Jonathan Bicos, and Thack Olsen present BADD Paint--. Baby doesn't make bad paintings, he's just a bad painter.

In Wild Beasts, Magic Magic, artists Marshall Elliott, Hanna Kunysz, Justin Margitich, Stephanie Rohlfs, and Linsey Wallace investigate the intersection of manmade and natural environments.

A video and sound installation that juxtaposes visual imaginary and soundscapes to overwhelm the viewer's senses and an exhibit showing paintings that use a newly-invented palette of fluorescent, iridescent, glittery, and metallic colors.

In "2.5D," artist Shay Arick is ready to manifest his dreams into a tangible reality. For "Contact," Alexis Courtney's will create work that activates the gallery space. Meredith Leich's "City of Gold, Land of Promise" displays  animations and radical romantic landscape paintings of San Francisco and Jerusalem.

Featuring the work of Seth Camp, Camille Reyes, and Kerbi Urbanowski, Possessive Obsession showcases the ability of textile manipulation through painting, performance, and mixed media.